All the Venezuelans, regardless their gender, religion, education level, economic and social status, political affiliation, etc., have in common the possession of an identification number, a number that proves them as citizens of a nation and heirs of a conflictive history and prominent culture.

In 1941 it was created and activated the National Identification Service. However, strong migratory movements produced by the Second World War forced to establish a more appropriate system to identify both Venezuelans and foreigners. A year later, in November 1942 began the issuance of identity documents still in use. The first card was issued to the primary responsible of its implementation, President Isaías Medina Angarita.

The identity card makes us equal to the extent that makes us numbers. Supernumerarios (supernumeraries), addresses this condition, highlighting the numbers that identify the men who have presided over the Venezuelan people since the establishment of the NIS (today known as ONIDEX).  In order to get the President ID numbers, the ONIDEX main server had to be hacked.

The work consists of 16 animations in which 16 numbers, placed between two horizontal lines, move randomly across the screen. Each figure has a unique gray hue, so the oldest President ID number is displayed in white and the most recent in black. The color grading between numbers and lines creates a chronological correspondence between the numbers and their carriers.  

By placing the cursor over any of the numbers, a detailed card from the National Electoral Council (www.cne.gov.ve) opens, showing the data found in the Electoral Register. If the left mouse button is hold, the selected card remains on the screen for its reading.

The nonlinear dance of lines and numbers generates a moving web that evokes Venezuela’s modernism while digitally unifies the political change of the country and its leaders, from 1942 to the present date; from the United States of Venezuela to the Bolivarian Republic of Venezuela..